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пятница, 20 мая 2022 г.
Anthony Geraci - Blues Called My Name (2022)
Following his chart-topping Daydreams in Blue (Shining Stone, 2020), Anthony Geraci returns with Blues Called My Name, a dynamic collection of original compositions featuring esteemed special guests Anne Harris, Walter Trout, Sugar Ray Norcia, Monster Mike Welch, Erika Van Pelt, and The Boston Blues All-Stars. Award-winning blues guitarist Ronnie Earl shared this praise for Geraci and the new album: "Anthony has been contributing to this music for many years, and his new album illuminates the many colors, shades, and styles of the blues. Anthony is very inspiring, and I love his dedication to the old masters like Otis Spann, Sunnyland Slim, and Big Maceo Merriweather."
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Chris Standring - Simple Things (2022)
Sometimes it takes a potentially life altering event to make you stop and re-evaluate what is truly important to you. In March 2021, guitarist, composer, and arranger CHRIS STANDRING found himself in the emergency room after experiencing chest pains. Although there was some history of heart disease in his immediate family, he never dreamed that he was himself a candidate for a heart attack. He was just 60 years old, kept trim, ate well, exercised, and never smoked. But he was lucky. He come through it with flying colors and a new appreciation for the simple things that make life worth living.
On his newest release, SIMPLE THINGS, Standring reflects on his recent experience and his new and intimate awareness of the fragility of life. Standring relates, “We have all heard cliches like ‘who knows what tomorrow may bring’ and ‘don't forget to stop and smell the roses,’ but we usually don’t take those old aphorisms to heart. To suddenly come face to face with my own mortality made me think about what is really important to me and how I want to live out my third act. Ultimately the answer came down to a just few basic things - spending time with loved ones, being present in the moment, and doing things with joy. Indeed, the theme of this album is joy, positivity, hope, and, because I'm a sucker for a beautiful melody, a little sadness as well.”
Standring is no stranger to funk, and several compositions on the album were heavily influenced by Prince and Bootsy Collins. Standring explains, “I’m a big fan of Prince, who learned about funk studying the music of people like Bootsy Collins. I wrote the opening track, “Shadow of Doubt,” after hearing a particular bass line by Prince that I really liked and wondered what I could do with something similar. I also saw a YouTube video of Bootsy explaining his basic funk formula. The bass line he demonstrated is so funky that it inspired me to write something of my own. Of course, I had to thank him, which I did on “Thank You Bootsy.” “Face to Face” is another song that was influenced by Prince and Bootsy.”
Standring originally wrote “Change the World” for another artist, but he decided to keep the song for himself because it fit his style so well. He released this tune as a single, which reached number 1 on Billboard, (March 2022). “A Thousand Words” is a darker tune that Standring wrote for an old friend who suffered from mental illness and recently ended her own life. Standring composed “Ain't Nothin' But A Thing” specifically to play in live shows. It features Rodney Lee on organ.
“The Gist of You” has a romantic yet funky, half-time feel. Standring built “No Two Ways About It” on a two-chord groove that he imbues with an infectious, toe-tapping feel. “Too Close for Comfort” refers to his health scare last year. Standring often uses the phrase “Don't Get Me Started,” so he wrote a song with that title. The track features Gary Meek on tenor sax. Standring closes the album with “And the Show Goes On,” a mellow track with a lovely melody. As Standring says, “With all the world has been through the last couple of years – me included - the title says it all.”
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Kenny Neal – Straight From The Heart (2022)
Down in Louisiana, they do things differently. The Southern states musical giants have always had their own distinct recipe for American roots: spiced with jazz, steeped in swamp-blues and cooked up a little differently by every artist who performs it. As a second-generation child of the Bayou State, Kenny Neal has taken his own inimitable guitar, gale-force harp and roadworn voice all over the globe. But in 2022, the Grammy-nominated blues masters latest album, Straight From The Heart, finds him drawn by the siren call of his hometown and musical ground zero, Baton Rouge. Neal both led and produced a crack team of local musicians at his own Brookstown Recording Studios. All the tributaries of the blues converge here, flowing into one rich tradition. Lining up in the studio alongside his Baton Rouge compadrés, the respect that Neal commands on the scene also drew some special guests, including hot-tip blues sensation Christone Kingfish Ingram, pop royalty Tito Jackson, and two songs with Rockin Dopsie Junior & The Zydeco Twisters. You'll even hear Neals supremely talented daughter Syreeta drive the vocal outro of Two Timing.
“This is the first album I’ve ever recorded on my own turf, and it truly came straight from the heart,” says Neal, who both led and produced a crack team of local musicians at his own Brookstown Recording Studios. “All the tributaries of the blues converge here, flowing into one rich tradition.”
If there’s a guiding concept behind the eleven songs of Straight From The Heart, it’s Neal’s mission to wind back the reels of his life and channel the spirit of the music that crackled from the family record player in early years.
Neal couldn’t have picked better circumstances for his childhood. Not only was he born in New Orleans on October 14th, 1957 (a serendipitous flashpoint for any future bluesman). Better still, he quickly found an early inspiration in his father, the harp master Raful Neal, who blew a gale and moved in the same orbit as Buddy Guy and Slim Harpo.
Nature and nurture couldn’t help but rub off. At 13, Neal Jr was wowing the crowds in his father’s band; four years later, he was playing bass with Guy himself. His fabled period working with his siblings in the Neal Brothers Blues Band is still spoken of in reverential tones on the Toronto circuit whose roofs they blew off. But perhaps Neal’s true arrival came in 1988, when his first solo LP was reissued by the Alligator label as Big News From Baton Rouge!! and ears pricked up for a modern swamp-blues master who had the touch and voice of an old soul, but the vision and hunger of a young gun.
Stick a pin in Neal’s discography since then and you’ll strike gold, from 2008’s Let Life Flow (which shook up his playbook with a dose of Memphis soul) to 2016’s Bloodline (which not only scored a Grammy nomination for Best Contemporary Blues Album but won two Blues Music Awards). From Neal’s W.C. Handy Blues Award of 2005 to his 2011 induction into the Louisiana Music Hall of Fame, few contemporary artists are more decorated.
You’ll hear all of Neal’s travels in Straight From The Heart, but this latest album brings it all back home in every sense. Lining up in the studio alongside his Baton Rouge compadrés, the respect that Neal commands on the scene also drew some special guests, including hot-tip blues sensation Christone ‘Kingfish’ Ingram (who co-writes and plays stinger guitar on "Mount Up On The Wings Of The King"), pop royalty Tito Jackson (on "Two Timing") and two songs with Rockin’ Dopsie Junior & The Zydeco Twisters. You’ll even hear Neal’s supremely talented daughter Syreeta drive the vocal outro of "Two Timing."
“It was like a family reunion,” says Neal of the good-natured sessions. “It was excellent because I had all the musicians that grew up under me here in Baton Rouge. And just being in my own studio, not worrying about the clock.”
Straight From The Heart is a fitting title for a record that salutes the many loves of Neal’s life. There’s the brass-driven opener "Blues Keep Chasing Me," which tips a hat to his recently departed friend, Lucky Peterson. There’s the touching piano-led "Someone Somewhere," which salutes the beloved father who put him on this path. Elsewhere, Neal’s deep love for every side of his home state is underlined by the zydeco chop of "Bon Temps Rouler" and "New Orleans," whose lyrics reference everything from “sippin’ on Hurricane” to “sittin’ on the Bayou catching catfish”.
Faced with such an open-hearted record, it’s impossible not to reciprocate. And as the world opens up and Kenny Neal embraces his natural habitat of the road, this Louisiana icon will bring a little bit of that Baton Rouge spirit onto every stage he treads. “It don't cost nothing to share a little love and a little respect,” he says. “And we can all rise above…”
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вторник, 17 мая 2022 г.
The Bateleurs - The Sun in the Tenth House (2022)
Over the years, the role of women in society has changed in many ways, but their importance and relevance in history have, as always, been paramount to the success of the human race. Centuries of patriarchal bias have tried to diminish their role, but to the utmost extent, women have always shown that, at whatever cost, they cannot be pushed back and stopped from fulfilling their goals, be it motherhood, creative thinking, politics, Tikal activism, or a full fight for freedom.
Revolutionary Blues is a tribute to all the women (and men) who fought for equality, refused to be silent, and those who continue to fight for a fairer world without prejudice, racial and sexual bias, and for freedom for all people.
"Any woman who chooses to act like a complete human being should be warned that the armies of the status quo will treat her like a dirty joke... She will need her sisterhood."
― Gloria Steinem
"The degradation of a woman lies in the representation of a man about his sexual rights. Our religion, laws, customs are based on the belief that a woman was created for a man."
― Elizabeth Cady Stanton
“One life is all we have and we live it the way we believe in it. But to sacrifice what you are and live without faith is a fate worse than death. "
- Joan of Arc
"Revolution Blues" from the album "The Sun in the Tenth House" @2022 Milanam úsica Records
Music:
Music The Bateleurs
Producer Ricardo Dick
Mixed Miguel Camilo (MC Sound)
Created by David Gardner (Infrasonic Mastering)
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суббота, 14 мая 2022 г.
Black Cat Biscuit – The Way It Is (2022)
No well-trodden paths or worn out covers with Black Cat Biscuit, but a surprising, sometimes foxy cocktail of fresh songs marinated in a special gumbo hot sauce, brought by five driven musicians!
Yasser (Six-Pack, Wood & Roses) is your host with a gin soaked blues voice who yet leads his swinging guitar and the rest of the band with a steady hand.
Patrick ‘P. Daddy Alley’ Indestege (Big Mama's Kitchen, Rhythm Bombs, Elmore D, Ale & Alley) on double bass makes together with
Jeffrey Gijbels (Belgium's Got Talent, Festeyn) on drums a brilliant rhythm section team that swings like a tit!
Stanley Patty (Doctor Rhythm, Phil Bee and the Buzztones, Rhythm Bombs, The Loveveins) is one of the most respected blues guitarists of the Benelux, his sound is a mix of his role models Magic Sam, Albert Collins and Johnny Guitar Watson, complemented by his own typical feeling and technique.
Mr Mark Sepanski (the Monday Lovers, six-pack) blows the top of his lungs and converts the last doubters to the Bluesdom.
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пятница, 13 мая 2022 г.
The Black Keys - Dropout Boogie (2022)
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Ghost Hounds - You Broke Me (2022)
Today, blues-rock band Ghost Hounds announce their new blues album, You Broke Me, out May 13th via Maple House Records. Written and produced by guitarist Thomas Tull and songwriter/producer Kevin Bowe (Etta James, Paul Westerberg and the Replacements), the 9-track album is raw yet polished with a live-off-the-floor feel. The group uses driving guitars, sparkling piano, dirty harp, and the overwhelming presence of singer Tre’ Nation to define their own blues sound and send it out into the world.
Ghost Hounds deliver a righteous and inspired take on Howlin’ Wolf’s signature song that feels current but doesn’t tamper with the vibe of the original. “Smokestack Lightning” is an eerie, atmospheric cut made from a handful of guitar notes and the contents of a human soul and Ghost Hounds do an excellent job of tapping into that energy. Tre’ Nation sings to beat the Devil, putting down a deep blue performance that’s haunting and hypnotic while the guitars of Johnny Baab and Thomas Tull grind and wail behind him. He reminds us all why we love this music in the first place while still staking a claim to today’s version of it. This is a seriously powerful show of influence and respect to one of the Old Masters who has yet to be equaled. Get it in your headphones just once and you’ll be back for more.
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