пятница, 27 мая 2022 г.

Lilly Martin - Lookout (2022)

 


The Blues – understanding the bottom line of being alive in this world. Soul Music – rising above the reality of this world. Lilly Martin sings both, the blues and soul, honestly and with intensity, because she knows what she is singing about.

On the new album ‘Lookout’, which will be released on May 27, 2022, the winner of the “Swiss Blues Award” 2020 is showing all facets of her creativity. A new phase is starting. “Lookout”, that means as much as looking from the inside out, or in other words: change the perspective. With new maturity and serenity. This is where Lilly Martin’s accumulated experience enters the picture.


It is a new highlight in her career. Together with her partner, the multi-instrumentalist Michael Dolmetsch, she creates soul-blues in her own unique style, with influences from gospel, R&B and Motown. Eight original compositions are included on the new album of this singer, who has also written songs with many other artists. “I was encouraged by the positive reactions to my older songs and also by winning the “Swiss Blues Award” to present even more original pieces this time.” Songs like the soulful “Good Love”, which is about the search for the great love, about never giving up on this search. Or “Waiting for the Fog to Lift,” a slow blues in which Lilly Martin describes how she survives melancholy moments. Feelings and situations that everyone knows and that she is describing here in a haunting way.


Besides her own songs, Lilly Martin is also delivering well-chosen cover versions. No wonder she calls herself a “genre outlaw” because the stylistic range is wide. “Desperado” by the Eagles, “Leavin'” by singer/songwriter Shelby Lynne, “Driving Wheel”, an old Blues by Roosevelt Sykes, and, as a real surprise, “Soul Searching” by the Californian Beach Boys. On one hand, this selection adds to the album’s complexity, and on the other, Lilly Martin demonstrates one of her great qualities: she effortlessly makes these songs from other people’s her own.




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воскресенье, 22 мая 2022 г.

Rik Meijer - Rik Meijer (2022)


 Datum release 20 Mei 2022

 


Met medewerking van ...


Martin van der Starre, Mink, Jack Bottleneck, Cindy Oudshoorn, Cobus Prins, Auke Busman, Dilana Smith, Alex Luttjeboer, Monique Bakker, Silvia Dekema en Kevin Stuurhaan - vocals, Hans Eijkenaar en Fokke de Jong - drums, Michel van Schie, Roni Jonker, Bonne van der Wal en Johannes Adema - basgitaar, Ruben Mulder - toetsen, Bas Kleine - Bluesharp, Nico Outhuijse - percussie en studiotechniek, Willem Pen - Sax/trompet.


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суббота, 21 мая 2022 г.

Bobby Previte & Charlie Hunter - Avant Blues (2022)


 Bobby Previte is a composer and performer whose work explores the nexus between notated and improvised music. One of the seminal figures of the 1980s New York ‘Downtown’ scene, Previte is the recipient of the 2015 Greenfield Prize for music and was a Guggenheim Foundation Fellow in 2012. He has received multiple awards for composition from the NEA, NYFA, NYSCA, New Music USA, The Jerome Foundation, The New York State Music Fund, Lower Manhattan Cultural Council, and the American Music Center. Mr. Previte has been an artist-in-residence at the Rockefeller Foundation in Bellagio, Italy, Civitella Ranieri, The Montalvo Arts Center, The Hermitage Artist Retreat, and nine times at the MacDowell Colony. 


His original compositions have been recorded and released on Sony, Elektra, Rykodisc, Palmetto, New World, Ropeadope, Tzadik, Thirsty Ear, Cantaloupe and Rarenoise. Leading a plethora of diverse ensembles from his instrument, the drums, he has collaborated with many of the leading lights in and beyond the world of music, including master composer John Adams, iconic singer Tom Waits, pantheon filmmaker Robert Altman, and most recently, rock legend Iggy Pop. His music has been labeled as ‘utterly original,’ by the New York Times, while The New Yorker has said his ensembles ‘speak in visionary tongues.’ Mr. Previte has given master classes at schools and universities around the world including The Eastman School of Music, The New School, Bard College, and Princeton University. His recent work includes: TERMINALS, Five Concertos for Percussion Ensemble and Soloist, with SO Percussion, released October 28th, 2014 by Cantaloupe Music, GONE, with Bobby Previte & the Visitors, released summer 2016 on the forTune label, TERMINALS QUARTETS, the percussion only version of Terminals, summer 2016, by Cantaloupe Music, and MASS, a music in nine parts for choir, pipe organ, and metal trio, released April 2017 by Rarenoise Records. His newest work, RHAPSODY, a song cycle on the subject of migration, was commissioned by the Greenfield Prize at the Hermitage Artist Retreat, and premiered April 21, 2017 at New College in Sarasota, Florida. Scored for acoustic guitar, harp, piano, voice, drums and saxophone, and featuring a powerhouse band of Zeena Parkins, John Medeski, Nels Cline, Fabian Rucker, and Jen Shyu, RHAPSODY was released in January, 2018 by Rarenoise. 


 

Mike Stevens - Breathe In The World, Breathe Out Music (2022)


 Acclaimed virtuoso musician, songwriter, composer, author and humanitarian Mike Stevens' main instrument is the harmonica, and in his hands it becomes a genre bending, no rules allowed, musical paintbrush as confirmed by Legendary Grand Ole Opry star Roy Acuff who said: "I've never heard anyone play the harmonica like you play the harmonica."


For more than 35 years Mike has been doing solo live looping harmonica and exploring his own unique vocal harmonica technique. His talent is as unorthodox as his career trajectory. As a ground-breaking performer, composer, educator, keynote speaker and author, Mike continues to expand the paradigms of harmonica, balancing tradition with cutting-edge innovation.


On 'Breathe In The World, Breathe Out Music'. Mike plays his harp, takes lead vocal on four tracks and shares the spotlight with several notable guests including vocalists Polly Harris, Cory James Mitchell, guitarists Kevin Breit, Jeff Getty & Jesse Wells, drummer Art Hratchian and bassist Jeff Bird. From Bluegrass to West African music, Country to Blues, fiddle tunes to soundscapes and experimental music, for Mike it's simply a matter of Breathing In the World and Breathing Out Music.


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пятница, 20 мая 2022 г.

Anthony Geraci - Blues Called My Name (2022)


 Following his chart-topping Daydreams in Blue (Shining Stone, 2020), Anthony Geraci returns with Blues Called My Name, a dynamic collection of original compositions featuring esteemed special guests Anne Harris, Walter Trout, Sugar Ray Norcia, Monster Mike Welch, Erika Van Pelt, and The Boston Blues All-Stars. Award-winning blues guitarist Ronnie Earl shared this praise for Geraci and the new album: "Anthony has been contributing to this music for many years, and his new album illuminates the many colors, shades, and styles of the blues. Anthony is very inspiring, and I love his dedication to the old masters like Otis Spann, Sunnyland Slim, and Big Maceo Merriweather."


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Chris Standring - Simple Things (2022)

 

Sometimes it takes a potentially life altering event to make you stop and re-evaluate what is truly important to you. In March 2021, guitarist, composer, and arranger CHRIS STANDRING found himself in the emergency room after experiencing chest pains. Although there was some history of heart disease in his immediate family, he never dreamed that he was himself a candidate for a heart attack. He was just 60 years old, kept trim, ate well, exercised, and never smoked. But he was lucky. He come through it with flying colors and a new appreciation for the simple things that make life worth living.


On his newest release, SIMPLE THINGS, Standring reflects on his recent experience and his new and intimate awareness of the fragility of life. Standring relates, “We have all heard cliches like ‘who knows what tomorrow may bring’ and ‘don't forget to stop and smell the roses,’ but we usually don’t take those old aphorisms to heart. To suddenly come face to face with my own mortality made me think about what is really important to me and how I want to live out my third act. Ultimately the answer came down to a just few basic things - spending time with loved ones, being present in the moment, and doing things with joy. Indeed, the theme of this album is joy, positivity, hope, and, because I'm a sucker for a beautiful melody, a little sadness as well.”


Standring is no stranger to funk, and several compositions on the album were heavily influenced by Prince and Bootsy Collins. Standring explains, “I’m a big fan of Prince, who learned about funk studying the music of people like Bootsy Collins. I wrote the opening track, “Shadow of Doubt,” after hearing a particular bass line by Prince that I really liked and wondered what I could do with something similar. I also saw a YouTube video of Bootsy explaining his basic funk formula. The bass line he demonstrated is so funky that it inspired me to write something of my own. Of course, I had to thank him, which I did on “Thank You Bootsy.” “Face to Face” is another song that was influenced by Prince and Bootsy.”


Standring originally wrote “Change the World” for another artist, but he decided to keep the song for himself because it fit his style so well. He released this tune as a single, which reached number 1 on Billboard, (March 2022). “A Thousand Words” is a darker tune that Standring wrote for an old friend who suffered from mental illness and recently ended her own life. Standring composed “Ain't Nothin' But A Thing” specifically to play in live shows. It features Rodney Lee on organ.


“The Gist of You” has a romantic yet funky, half-time feel. Standring built “No Two Ways About It” on a two-chord groove that he imbues with an infectious, toe-tapping feel. “Too Close for Comfort” refers to his health scare last year. Standring often uses the phrase “Don't Get Me Started,” so he wrote a song with that title. The track features Gary Meek on tenor sax. Standring closes the album with “And the Show Goes On,” a mellow track with a lovely melody. As Standring says, “With all the world has been through the last couple of years – me included - the title says it all.”


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Kenny Neal – Straight From The Heart (2022)


 Down in Louisiana, they do things differently. The Southern states musical giants have always had their own distinct recipe for American roots: spiced with jazz, steeped in swamp-blues and cooked up a little differently by every artist who performs it. As a second-generation child of the Bayou State, Kenny Neal has taken his own inimitable guitar, gale-force harp and roadworn voice all over the globe. But in 2022, the Grammy-nominated blues masters latest album, Straight From The Heart, finds him drawn by the siren call of his hometown and musical ground zero, Baton Rouge. Neal both led and produced a crack team of local musicians at his own Brookstown Recording Studios. All the tributaries of the blues converge here, flowing into one rich tradition. Lining up in the studio alongside his Baton Rouge compadrés, the respect that Neal commands on the scene also drew some special guests, including hot-tip blues sensation Christone Kingfish Ingram, pop royalty Tito Jackson, and two songs with Rockin Dopsie Junior & The Zydeco Twisters. You'll even hear Neals supremely talented daughter Syreeta drive the vocal outro of Two Timing.


“This is the first album I’ve ever recorded on my own turf, and it truly came straight from the heart,” says Neal, who both led and produced a crack team of local musicians at his own Brookstown Recording Studios. “All the tributaries of the blues converge here, flowing into one rich tradition.”


If there’s a guiding concept behind the eleven songs of Straight From The Heart, it’s Neal’s mission to wind back the reels of his life and channel the spirit of the music that crackled from the family record player in early years.


Neal couldn’t have picked better circumstances for his childhood. Not only was he born in New Orleans on October 14th, 1957 (a serendipitous flashpoint for any future bluesman). Better still, he quickly found an early inspiration in his father, the harp master Raful Neal, who blew a gale and moved in the same orbit as Buddy Guy and Slim Harpo.


Nature and nurture couldn’t help but rub off. At 13, Neal Jr was wowing the crowds in his father’s band; four years later, he was playing bass with Guy himself. His fabled period working with his siblings in the Neal Brothers Blues Band is still spoken of in reverential tones on the Toronto circuit whose roofs they blew off. But perhaps Neal’s true arrival came in 1988, when his first solo LP was reissued by the Alligator label as Big News From Baton Rouge!! and ears pricked up for a modern swamp-blues master who had the touch and voice of an old soul, but the vision and hunger of a young gun.


Stick a pin in Neal’s discography since then and you’ll strike gold, from 2008’s Let Life Flow (which shook up his playbook with a dose of Memphis soul) to 2016’s Bloodline (which not only scored a Grammy nomination for Best Contemporary Blues Album but won two Blues Music Awards). From Neal’s W.C. Handy Blues Award of 2005 to his 2011 induction into the Louisiana Music Hall of Fame, few contemporary artists are more decorated.


You’ll hear all of Neal’s travels in Straight From The Heart, but this latest album brings it all back home in every sense. Lining up in the studio alongside his Baton Rouge compadrés, the respect that Neal commands on the scene also drew some special guests, including hot-tip blues sensation Christone ‘Kingfish’ Ingram (who co-writes and plays stinger guitar on "Mount Up On The Wings Of The King"), pop royalty Tito Jackson (on "Two Timing") and two songs with Rockin’ Dopsie Junior & The Zydeco Twisters. You’ll even hear Neal’s supremely talented daughter Syreeta drive the vocal outro of "Two Timing."


“It was like a family reunion,” says Neal of the good-natured sessions. “It was excellent because I had all the musicians that grew up under me here in Baton Rouge. And just being in my own studio, not worrying about the clock.”


Straight From The Heart is a fitting title for a record that salutes the many loves of Neal’s life. There’s the brass-driven opener "Blues Keep Chasing Me," which tips a hat to his recently departed friend, Lucky Peterson. There’s the touching piano-led "Someone Somewhere," which salutes the beloved father who put him on this path. Elsewhere, Neal’s deep love for every side of his home state is underlined by the zydeco chop of "Bon Temps Rouler" and "New Orleans," whose lyrics reference everything from “sippin’ on Hurricane” to “sittin’ on the Bayou catching catfish”.


Faced with such an open-hearted record, it’s impossible not to reciprocate. And as the world opens up and Kenny Neal embraces his natural habitat of the road, this Louisiana icon will bring a little bit of that Baton Rouge spirit onto every stage he treads. “It don't cost nothing to share a little love and a little respect,” he says. “And we can all rise above…”


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