пятница, 25 марта 2022 г.

Diunna Greenleaf - I Ain't Playin' (2022)

 


Diunna has one of those distinctive, powerfully emotive voices that just stops you in your tracks the first time you hear her. This dynamic and gifted singer from Houston has an absolutely amazing voice, full of soul, emotion, feeling, finesse, and strength! Even though Diunna is always winning or nominated for best traditional blues female singer of the year, this is remarkably her first album in over 10 years (since 2011’s highly acclaimed ‘Trying to Hold On’) and her first that was not self-released on her own Blue Mercy label.


Executive producer Noel Hayes excels in thoughtfully picking out killer songs from the past to fit the style of his favorite current singers, like Diunna.


This winning team of Noel with co-producer Jim Pugh and his Little Village record label and co-producer Kid Andersen and his Greaseland studio have helped to create magic again in the studio and unearthed a batch of buried treasure blues, soul, R&B, and gospel songs that perfectly match Diunna’s distinctive and expressive vocals.


In addition to the four outstanding originals from Diunna, many of these fascinating songs are from singers from her own home state of Texas, which she has transformed to make them all her own. Lone star state standouts are the funky “I Don’t Care” from Long John Hunter, the deep blues of “Let Me Cry” from Johnny Copeland, and “Damned If I Do” from the vastly underrated singer/songwriter Joe Medwick.


Diunna, with the help of Alabama Mike (one of our other favorite real deal blues singers of today) created a new version of a classic gospel song done by The Staples Singers, “I Know I’ve Been Changed,” and they also killed it on a soulful country gospel duet, “When I Call Your Name” from Vince Gill. The head turning opening Koko Taylor track, “Never Trust A Man” is also available on YouTube where you can see how it was masterfully done at Greaseland with this all-star band of Kid, keyboardist Jim Pugh, drummer D’Mar and the legendary bassist, Jerry Jemmott, who “lays down the groove that could anchor the solar system!” “If It Wasn’t For the Blues” was one of Mighty Sam McClain’s favorite songs and it really says how Diunna feels, too, and “Answer To The Hard Working Woman” is a twist on Otis Clay’s hard funk soul song, where she flips the script. Be sure to check out one of the most meaningful, powerful songs that still resonates today, “Wish I Knew How It Would Feel To Be Free” where she eerily channels Nina Simone; I don’t know anyone else but Diunna who can pull this off so well.



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